Magic of Weaving : TARA Loom

I
t is the creative urge of the humankind that has brought civilisation to its present level. The hallmark of excellence of our ancient civilizations is often found in the artifacts of the period in the items of daily use - utensils, implements, and fabric. The oriental civilizations have a history of nearly four to five millennia in creation of fabrics. Silk and spices formed the core of Euro-Asian trade and their quest led to the discovery of whole new continents - the Americas and also to colonialism. This story is not a happy one. However, communities that survived could remain self-supporting for their clothing. They produced the raw material - wool, cotton or silk and continued to "weave" their fabric from which they created their garments.

India has one of the richest traditions in this creative activity - from Kashmir to Kanyakumari, Kachch to Kohima. The weaving device - the loom has been subject to constant hostile threats of being extinguished by highly mechanised, organised machinery-dominated textile industry for over a century and in recent decades, by the advent of the powerloom. If the handloom has survived, it is because of its highly elastic range of adaptation in meeting communities’ needs and in its ability to produce exquisite fabrics which mills cannot produce with all their sophisticated technologies.

The textile sector, after agriculture, employs the largest work force. There are nearly 3.5 million looms in India. Over ten million people work with these looms to earn their livelihood - another fifteen million depend indirectly on the handloom weavers for their livelihood. Handlooms fill a very important economic niche. They also account for more than 20% of the total fabric produced in the country.

Existing Technologies

There are around 3.5 million machines ranging from loin looms to pit looms and frame looms in India. The features of the looms are:

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Most of the looms are locally manufactured and lack the detailed engineering and hardware needed to weave good quality fabrics.
q Upgrading of handlooms by incorporating only a ‘take-up’, has resulted in some increase in productivity but without any improvement in the quality of cloth. In fact, the non-uniformity in pick spacing due to this often becomes more obvious after the finishing processes.
q Incorporating new mechanisms (take-up, fly wheel and let off) on existing handlooms is cumbersome and an expensive process.
q In the standard five-wheel take-up mechanism adapted from the power loom, the gears have to be changed whenever the pick spacing is changed. This means that a weaver has to maintain a large inventory of gears and a great deal of time and effort go into changing them and making other minor adjustments. This has been the major reason for most weavers not accepting this mechanism.
q Fully automatic and semiautomatic looms are not popular with weavers because of the:
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- very high effort required for operation

- limited design capability

- very high capital cost

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Most of the handlooms cannot produce synthetic fabrics of acceptable quality and at viable production rates.

q Almost all traditional frame looms are made out of wood which is:

- increasingly scare and expensive

- difficult to manufacture

- not rigid - so they vibrate during the weaving process

- cumbersome, heavy and difficult to transport

- take up a lot of vertical space and floor area

- prone to wear and tear

q Based on these observations, it was concluded that R & D efforts must:
q Be more systemic
q Be more closely linked with the processes of production and marketing and incorporate the opportunities and constraints of how the technologies will actually be manufactured, sold, maintained and used
q Be based on genuine market research, both regarding the needs of the weaver and the end client
q Establish standards for equipment and ancillaries, particularly to facilitate introduction of subsequent improvements in this technology
q Fully understand the overall impact of modification (such as by using components from power looms) on the performance of the machines
q Focus on the complete technology configuration rather than trying fruitlessly to upgrade existing ones by incorporating accessories
q Undertake detailed surveys to identify precise technology needs

This methodology requires a detailed analysis of each and every component of the looms and the weavers capacity and constraints.

Design criteria for the TARA Loom

To meet the identified objectives of intervention, the following design criteria were established:

A. High productivity
  - reduce the cost of unit output of the machine
  - increase income of the weaver
 
B. Superior quality
  - easy consumer acceptability
 
C. Ease of operation
  - increase overall efficiency of the machine
  - easier pick spacing adjustment
  - weave long length of fabrics and thus save on doffing time
  - weaving operation confirms with the existing traditional skills of the weavers
 
D. Versatility
  - weave hand spun as well as mill spun yarn
  - suitable for cotton, wool, silk and synthetic
  - operate at high speed even with six treadles and four shuttles
  - weave a variety of products
 
E. Ease of maintenance
  - oiling required only once in a while
 
F. Low Cost
  - within purchasing power of the weaver through various government schemes
 
G. Compactness
  - should fit easily inside the weavers’ hut

 

Results

Working within this framework, the TARA loom was designed at Development Alternatives by a team of textile and mechanical engineers, traditional weavers, sociologist, economist, market specialist, ergonomic expert and product designer. The TARA Loom has the following features:

1. New take-up mechanisms
  - can weave fine fabrics of 90 picks per inch to coarse fabrics of 14 picks per inch without changing any gear. Pick spacing can be adjusted by simply shifting the position of the shield plate covering the ratchet by loosening a bolt
  - it is an integral unit requiring no special fixture
  - it requires less effort because of low friction
All this was possible by redesigning the dimensions of the gears and ratchets to achieve a reduction of sufficient magnitude which could thus cover such a wide range of pick spacing. The throw of the driving pawl was enhanced by connecting it to the shuttle box through appropriate linkages.
 
2. Fly-Wheel
  - enables jerk free weaving
  - sustains high speed weaving
  - fixes the throw of the beater
This was possible by redesigning the flywheel to have just the right moment of inertia and eccentricity ratio. The same flywheel can be used for looms of reed space 40" to 78" simply by readjusting the position of the crank. Moreover, the flywheel shaft is also mounted on ball bearing.
 
3. Negative Let-off Mechanism
  - to ensure uniform let-off
  - even warp tension
To achieve this a special ruffle was designed to provide uniformly distributed friction on the warp beam which made it possible to release the yarn by the same amount in every cycle instead of a jerky let off as in other looms.
4. Improved Frame
  - to ensure adequate support and rigidity to reduce vibration
  - ease of assembly and transportation
  - low cost
  - longer durability
  - compact and modular
For this, rolled MS angles are used in the structure of the frame such that there is no vibration. This makes it possible to weave better quality fabric. The frame has been designed to take up less floor area and height. It can thus be fitted easily inside huts, especially in the hills which have very low ceilings. The length of the loom is also less, so that the weavers can fix the broken ends of yarns from the seat itself. With just two sets of spanners a complete loom can be assembled. This makes it possible to set up around 10 to 13 machines in 8 hours.
5. Emery and Cloth Roller
  These rollers are carefully positioned in the loom so that:
  - it does not hit the weaver’s knee during weaving
  - it can accommodate longer length of cloth on the roller (around 100 mts. of fabric for 2/40s warp and 20s weft with pick spacing of 44 per inch.)
6. Smooth Surface Back Rest and Lease Rods
  - ensure smooth friction-free movement of the yarn
  - improve the quality of the fabric
  - ensure proper working of the let-off mechanism

Chrome plated pipe is used for the back rest and smooth metal sheet it fitted on wooden rods for the lease rod.

7. The Beater

Since traditional technologies are time-tested, they have certain levels of perfection. The beater is a very good example of this, and the TARA loom uses the traditional beater design and material.

Dissemination of TARALoom

The TARAloom has found widespread acceptance among the weavers. Its productivity has been validated and is found to be at least 35% higher than any other loom. Development Alternatives has demonstrated that it is possible to combine high productivity, superior quality of fabric and ease of operation in one machine that can also use different yarns - cotton, wool, silk and synthetic. A traditional weaver can learn to operate this machine in less than two hours making the transition to the improved loom at no extra cost in terms of time and money. No wonder the TARAloom is in operation in almost all the states of India.

Acknowledgment

the development of TARALoom was supported by Department of Science Technology, and Swiss Agency for Development & Cooperation.   q

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