Education
and Training of Artisans in Bundelkhand Region Richa Angirish |
This
article spells out the changes and underlying concerns in the Building
Construction sector in our country. It is about what existed and what is
foreseen. It is about a conscious revival of the past to keep in pace with today’s
demands. It also talks about people – the forgotten side of the modern
mechanised world that we have stepped into.
Region specific trade and culture were the backbone of India’s flourishing
economy in the past. This was reflected in the diversity and magnificence of
architecture and building practices. The changing times depict the following
trends:
n The process of globalisation threatens the diversity of practices and skills through a homo-genisation process.
n With local materials being replaced by cement and steel, the related skills involving a deep understanding of masonry and material behaviour are eroding rapidly.
n In the past, master craftsmen, artisans and the masons were the prime decision-makers. Today, the power rests in the hands of building contractors. Individual creativity of the artisan is slowly being lost in the universal building system vocabulary, which is based on the mindless use of cement, steel and other resource intensive materials.
n Addition
of more and more new products in the market not at par with the awareness
amongst the artisans, results in their improper use. This makes the quality
factor in the building construction process an issue of major concern.
Development Alternatives, through
its Appropriate Technology Resource Center, TARAGram, at Orchha, M.P. has been
working with the artisans of Bundelkhand to revive the traditional
construction practices by expanding the knowledge base of modern materials.
Through an integration process, TARAGram acts as a dissemination center for
building technologies and a training center for masons, carpenters and roof
layers, with a strong conviction about the power of the artisans and their
ability to change the way people build.
Hypothesis
Building Centres in any region act as a
knowledge base for the building material and construction sector and work on
improving the scenario related to the above mentioned issues. Their role in
making an impact on the masses about affordable building technologies is a
proven fact. The Nirmithi movement in Kerala is a prime example of the power
of building Centres in creating a vocabulary of their own amongst all economic
groups. The entire concept of having to work with the local people enforces
the incorporation of local technologies into their building system vocabulary.
The overall objective of the Action Research undertaken by Development
Alternatives is the intensive training of artisans in high quality building
construction and management for providing turnkey services using cost
effective and environment-friendly technologies.
Simultaneously, acceptance of the appropriate technologies by people requires
proven and foolproof delivery systems, reflecting complete assurance of good
quality and affordability. Turnkey services of the new technologies are the
only means to gain the confidence of people.
Depending on this need of the market, alternate delivery systems in tune with
the changing technological trends have to be evolved which ensure access to
materials by people and also assure replicability. These concerns have led to
merging of the artisan route with the entrepreneurial base into a concept
called the Artisan Guild.
The consolidation of artisans into self-managed groups within a community is
called Guilds. In ancient times, different artisan trades had all their
professionals enrolled into a common body with their own set of rules and
regulations. The Aryans had guilds formed within similar caste groups. Members
of these guilds had to follow a specific code of conduct and there were
punishment systems for its violation. The system maintained a certain sense of
order in the community in terms of imparting services and also exploitation of
resources. Also, different communities had different guilds and there was an
overlap whenever required. The local economies of each region remained stable
and always were on the upstream since the money stayed within the region with
its own people. The artisans were the strongest players in the game, having a
community backup and proper recognition within their trade.
CLIENT |
|||||
CONTRACTORS |
|||||
MASON |
|||||
UNSKILLED |
|||||
( Various
people involved in the Building Construction process ladder )
In Bundelkhand region, individual masons, however skilled and conscious they
might be about quality applications, are unable to make an impact through
their performance since they form the weakest link of a long and complex
chain.
As shown above, for the mason to reach the client and satisfy his
requirements, the other players – the contractor, petty contractors and
material come into picture. The mason turns out to be vulnerable because of
the existing dominance of the rest.
To bring a solution to the diminishing belief of the artisans in themselves
and their trade, the Development Alternatives team, three years back,
identified the mason as the driver of the entire process. It was due to this
realisation that the solution was identified. An entire team of artisans
replaced one single mason; capable of replacing the functions of the other
players (through their skills) in order to attain prominence.
The issue is not to discard the role of the other groups involved – but to
let the skilled people have their position and place in the construction
process, which in turn should allow for aesthetic integration and enhancement
of the quality of work. The contractors exist because they are good managers.
But in the process, artisans get exploited. Since the masons are not educated
and skills otherwise do not come easily, they have to undergo the exploitation
to be able to earn and learn. The effort of TARAGram is to initiate a process
through which the artisans start managing themselves into a profit-oriented
enterprise and avoid exploitation.
An artisan Guild comprises artisans various levels working together. They have
expertise of all kinds, including basic estimation, book keeping, primary
design guidelines, material and people management skills. They function in a
team, moving from project to project, imparting services in the form of
buildings. The prime factor being the guild, holding itself accountable for
the quality of the entire work.
The process is very similar to the existing
one in which the labour contractors work with the clients. The major
differences, however, are as follows:
|
Action Research
Methodology
For artisans to be enrolled as guilds,
TARAGram has devised certain eligibility criteria. All masons cannot become a
part of any guild. And for this, the primary tool identified is a series of
training programs for the artisans, involving a complete process right from the
basics to the details of Construction Management.
The stage wise process of an individual mason being incorporated as a member of
a guild is as follows:
n Selection
of the target area of intervention.
n Identification
of individual masons in all the villages in the selected region – both from
rural as well as urban markets.
n Inviting the masons to
a demon-stration (usually for one day) either at the building center or in the
block office and introducing them to appropriate technologies and TARAGram’s
initiatives.
n Evaluation of the
interest level of the masons.
n A 4 day orientation of
the interested and selected participants.
n
Evaluation to seek
their interest of doing further training.
n Artisans interested
for further trainings are given a week long orientation in each technology .
n
Identifying interested
masons.
The training phase of the artisans is the most crucial
aspect in this entire chain since it is the quality of inputs which benchmarks
the overall standards visualised to be maintained by this group in due course
of time.